We open with our annual Remembrance Sunday dance, this time
celebrating 100 years of the RAF by focusing on female pilots. Amy is front-and-centre for a mostly contemporary
routine, which isn’t entirely doing it for me, because contemporary dance combined
with starchy RAF uniforms doesn’t seem to be a comfortable match (and there’s a
bit where they make all the female pros be little planes which is cute if cute
is what you want from a Remembrance Routine.
Still, it’s better than the nonsense I had to recap last year, and on the strength of, well, events, it’s nice to
hail Amy. Also, it’s being performed to ‘Rise
Up’ like everything else vaguely inspirational that’s happened in the media since
they used it in that Rosa Parks episode of Doctor
Who. Get your own ideas, people. Whilst we’re on the subject of Doctor
Who, there’s something weirdly symmetrical about that show having no decent
baddies this year, whilst this series of Strictly
has so many of them I’ve lost count.
Tess and Claudia enter: Tess in white with weird split
sleeves that make it look like she’s wearing a cape; Claudia in a black dress
with a droopy white bow. They welcome us
and all the various military and charity related audience members, and it’s
onto our judges, who are keeping with the Remembrance Sunday colours, all in
black, navy and red.
Interminable recap of last night in which the following
happens: BLACKPOOL BLACKPOOL HEY GUYS DID YOU KNOW BLACKPOOL IS COMING? Also,
in pre-show news: Joe thinks Stacey looks like Audrey Hepburn; and Bruno wants Craig
to say he’ll use his 10 paddle even
though they haven’t seen any of the dances yet. Danny and Amy are shown singing ‘no mistakes,
no mistakes’, hmmm, wonder why they picked that clip? Oh, and someone let H From Steps into the
building. Bet it was Bruno forgetting to
close the fire door when he snuck out for a smoke.
And time for our first set of safety announcements: Lauren
and AJ; Charles and Karen (who get ages to deliver their ‘shocked’ reaction); Ashley
and Pasha. The first couple in the
dance-off? Graeme and Oti. Bruno tells him not to over-analyse (not sure
you can over analyse that dance) and to maybe use the balls of his feet a bit
more if he can be bothered to do something extra.
In the Clauditorium, we get a better look at Lauren’s dress
than we did last night, and up close it looks a bit odd, like someone’s flung a
curtain over a bustier to protect her modesty. And Charles calls Karen his sensei, plus he also has pre-show rituals of
30 push-ups and having his socks fully in line before a show (what does that
even mean). Oh, and Ashley does not know
what Blackpool is and I kind of feel sad that it almost certainly won’t be what
she’s imagining. [Heaven help her if she decides to ask Gorka what it's like. - Steve]
Time for special celebrity guest performer of the night! Andrea Bocelli and his averagely-voiced son
who looks a bit like an Ed Westwick character before we learned all about Ed
Westwick. Neither of them sound great,
and the song is boring BUT Luba and Anton do some lovely lovely ballroom in
front of them and good Lord show give Luba a celebrity next year already, she
is absolutely mesmerising to watch.
Dance debrief, and Claudia tells us that contemporary is a
brand new dance. Yes, I’d like to forget
that thing Lauren and AJ did, too. Darcey
says the key to it was that Ashley’s routine came from the heart. We then see some
slowed-down bits of Faye’s jive that do not look good and Shirley has to
justify giving it an 8, when surely it should have been Bruno justifying giving
it a 10. Claudia asks Craig what he meant
when he said Lauren has danced for the first time, and he says he means it’s
the first time it felt like she was emotionally connected and dancing for herself
rather than being really self-conscious. Bruno then talks about Charles’ swivel over a clip of his dance that doesn’t
include swivel, well done everyone.
We then get our annual Remembrance Sunday day trip, where
the stars go to a tea dance with veterans and Kate, Danny and Joe share family
stories of relatives who’ve been in service. Everyone dances with the veterans and there’s even some filthy SAME SEX
DANCING going on.
And now for the rest of the results. Safe: Kate and Aljaž; Joe and Dianne; Faye
and Giovanni. Stacey and Kevin and Danny
and Amy are the two remaining couples, but it’s Danny and Amy who get the red
light of dread. Danny says he’s feeling good, but I have no idea if he's being sarcastic or genuine in that 'I really wanna do it right and show you I'm THE STAR' way. Shirley tells Danny to have more flow and
continuous body action, but that he is a charismatic dancer.
In the Clauditorium? BLACKPOOL, NANS, Aljaž may or may not
be able to swim because I really wasn't sure if he was joking when he said he couldn't; Claire from Steps has joined Luba in giving Faye mad old wives
tricks to get ready. I am secretly hoping there’s a little Whatsapp group going
on dedicated to coming up with the maddest things they can get her to try. This week: waving around herbs and making everything smell like stuffing.
There’s yet more BLACKPOOL babble, and then we finally get
to the dance-off. Danny starts out
mostly OK, but then he crashes into Amy a bit and loses time, regains it, then completely
forgets what he’s doing and Amy pushes him into position wearing a really
forced grin. Graeme’s routine is a
little sloppier than before and remains resolutely not a salsa, plus he almost
drops Oti at one point. But Oti’s bum is
working so incredibly hard it might just take the dance off on its own merits.
Craig saves Danny and Amy for sheer level of difficulty and Danny
being a better dancer overall; Darcey wishes she wasn’t in this position
(despite the judges putting Danny bottom and Graeme close to bottom) but saves
Graeme and Oti. Bruno says Danny was
slightly better but went wrong and Graeme gave a stronger performance, so
because of what he saw ‘tonight’ he saves Graeme. Shirley says both couples put their ‘best Step
forward’ – I didn’t see Faye but I’ll take it as one of those things we don’t
see on camera – but for entertainment (i.e. not being a publicity nightmare) she’s
saving Graeme and Oti.
Tess praises Danny’s showmanship and his getting the series' first 10. With a face like thunder he says it’s been a
great experience and he’s unhappy he didn’t get Amy further and that he can
only look as good as her dancing (is that shade?). Amy says Danny told her he was a frustrated
singer and dancer and she’s glad the public got to see that – boy did we. Especially those of us that read that interview. Amy cries and, if
nothing else, she should be happy that she’s got the audience fully on side – and
following two challenging years (to say the least) let’s hope she gets a sweetheart
next series as compensation. [HUNKY RINGER FOR AMY 2019 - Steve] They dance
out to ‘Leaving On A Jet Plane’ and then he’s Danny Gone Jules (yeah, I had two
possible post titles this week, of course imma use them).
Post show post mortem?
Thanks for voting for us, BLACKPOOL, no-one
mentions Danny at all.
Next week! Take That
heard Steve was on recap duty so they agreed to perform just for him! Wonder if they’ll do ‘The Flood’? [You MONSTER. - Steve] Oh and apparently they’re doing the show off-site
somewhere, I dunno, they were a bit vague about it.
4 comments:
The anti-BBC tabloids have won, haven't they? Any prospective celebrity watching the fate of Danny or Vick or Seann in this year's show is likely to say no to any offer which might come their way in 2019. We'll be down to a set of celebrities who'll make DJJ look like Idris Elba.
It has categorically been a bad year. Was it poor casting? A loss of grip from the show management and PR? Either way they're going to need a serious postmortem.
I envisage next year being a very heartland BBC kind of cast.
The very people who have propagated smear stories about the 2018 cast will be back to deride the quality of the 2019 lineup. It's a vicious downward spiral. Hopefully I am wrong.
I would hope the PR, casting and talent management up their collective games next year to try and prevent that kind of thing (as much as is ever possible, of course).
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