Saturday, 30 November 2019

This week on It Takes Two, we have learnt...

Monday

- Rylan is still calling Emma "Honey Emma" even though there's only one Emma left now and it has been that way for a while.
- Saffron needs a new activity to create content as she doesn't know what to do with herself now.
- AJ thinks their samba was a 'great dance' and 'underscored'.  O...kay?
- AJ believes that the fans saved him and Saffron but the judges sent them home. O...kay?
- AJ believes Saffron is the true winner of the series. O...kay?
- Saffron's already forgotten some of the dances she did.
- Saffron had one move of her own in every dance they did.
- AJ wants Chris to win. Saffron loves everyone but would quite like Karim to win.

Sunday, 24 November 2019

Saffron, Saffroff

Week 10: Top 6 Results - 24 November 2019

God, last night was a load of old shit, wasn’t it? I’m so ready for tonight to be the equivalent of that one random week they have on The Apprentice every now and then where Sralan gets so bored he fires the lot of them. Chuck them all out and just fill the remaining weeks with more Johannes, it’s what we all want. Well, except the homophobes that call Ofcom and they can just go in the bin. With last night's dances.

Cue credits.  I’ve just noticed the ugly star tattoo Michelle has between her boobs and now I’m never going to be able to see anything else.

(Bru)No, No, No

Week 10: Top 6 Perform - 23 November 2019

Last week! BLACKPOOLMANIA saw a liberal splashing around of high scores to the point where even Anton got his first ever 10s (also Emma but no-one cared about that). Michelle vogued – or, more accurately, vagued, and was sent packing in what might have been a SHOCK! BOOT! had you been told about it without actually seeing the episode. [Or being aware that she'd done a full leaderboard plummet the week before - SteveTonight! The most boring pre-credits VT of the series as everyone goes ‘ooh, there are only 6 of us left!’ Welcome to Blackpool Hangover week!

Cue credits!  Looking at David’s flower-patterned suit makes me wonder why we almost never see patterned fabric in the outfits on this show. 

We open with our much anticipated Bruno singing moment – he’s singing ‘Can’t Take My Eyes Off You’ and he sings (not especially well) in a ridiculously thick Italian accent and it would all be very third-choice X Factor Komedy Kontestant Kringe were it not for the fact the whole thing breaks the campometer – the pros (minus those left in the competition) are in neon pink and orange, there are so many feathered fans it’s like every night of Kylie’s Showgirl tour is happening at once, there are pink top hats, there are capes with letters spelling ‘I LOVE U BABY’ stapled inside, there’s Graziano and Johannes flirting some more to annoy Disgruntled of Tumbridge Wells, there’s one point where the men get confused as to which way they’re dancing and they crash into each other. Would I buy a Bruno album? Nope. Do I prefer that to the times Brucie and/or Anton sang? You betcha. Was everyone high when they decided to make this happen? It involved Trent and Bruno so I think we all know the answer to that.

Saturday, 23 November 2019

This week on It Takes Two, we have learnt...

Monday

- Nobody on this show understands what 'shantay you stay' means.
- Michelle says no-one can feel good about leaving the show.  I bet Mike would disagree.
- This weekend's dance-off is being hailed as "the closest dance off of the series so far", despite it being voted unanimously in favour of one couple.
- Michelle believes she went out "in a blaze of gay glory".
- Michelle would like everyone to know that vogueing is a street dance, whether you believe it is or not.
- Apparently the song 'Vogue' was new to Giovanni which is the most shocking thing I've heard all week.
- Despite their pledge, the Frock Destroyers did not break up after their first single.
- Something unpleasant has happened to Baga Chipz' lips.
- Michelle thinks she might have been the first person ever to call Giovanni out.
- Approximately 178 looks were created for Blackpool.
- Graziano has a monogrammed hat.

Sunday, 17 November 2019

Michelle shock

Week 9: Top 7 Results (BLACKPOOL Week) - 17 November 2019

So remember when the Blackpool results dance was Iveta as a little girl dreaming about how one day she would grow up to become Iveta and conquer the universe? Well, this year we have the reverse of that: it's Nadiya in old lady make-up, reminiscing about her lost youth. (Can't believe they put ageing make-up on Nadiya rather than getting in Iconic Strictly Icon Nadiya's Mum to play the part tbh.) She holds a picture of herself and Johannes from their wedding day and dances a sad waltz with it (to 'Mia and Sebastian's Theme' from La La Land, and big up to Laura on Twitter for identifying it for me because it was driving me mad trying to think of it) by herself before we flash back to the days of her youth, when she was being wooed by so many fine young gentlemen, but the one who truly caught her eye was Johannes. It's all very lovely and romantic, as long as you try to ignore the fact that the other female pros are being wheeled around on lampposts that are on castors, which just reads really comically to me, I'm sorry.

Plunge 'Pool

Week 9: Top 7 Perform (BLACKPOOL Week) - 16 November 2019

You might think that after seven consecutive series of making an annual pilgrimage up north that this show might have peaked with its Blackpool evangelism, but you would be wrong: we open with softly-scored footage of the glitterballs and such being packed away ready for the journey and transition to dreamlike drone shots of the Blackpool Tower, with Michelle saying over the top that "the Blackpool Tower Ballroom means everything to me" (does it? Really?), Alex saying she just wants to savour every moment, and Saffron being extremely Saffron by broadcasting herself and AJ on the train to Blackpool from her phone. Like and subscribe! We see Kelvin and Oti and Chris and Karen alighting from the train at Blackpool North talking wistfully about "125 years of history" and the need to give a performance "worthy of the Blackpool ballroom". Ah yes, wouldn't want to disgrace the location that brought us such award-winning performances as Ann Widdecombe's "samba", Judy Murray's Viennese waltz, Peter Andre's jive or Ed Balls' jive. Karim thinks it feels like a dream to be dancing there, and Emma thinks that dancing at Blackpool is going to be a different experience from being in the studio at Elstree. Well yes, for one thing the Tower Ballroom isn't just across the road from your workplace. Anton (for some reason) takes the celebs and pros off to the Pleasure Beach and tells them that it's a rite of passage that they have to go on a rollercoaster before they can dance in the Tower Ballroom. I dunno, I'm pretty sure that AJ and Amy at least were dancing in the Tower Ballroom when they were still about a foot short of those "you must be this high to go on this ride" notices. AJ possibly still is. Anyway, everyone goes on the rollercoaster and screams. Woo!

Friday, 15 November 2019

This week on It Takes Two, we have learnt...

Monday

- Mike did seek permission from Katya beforehand to do a conga for their exit dance.
- Katya's dedication to Mike's dance tuition extended as far as attaching sequins to his shirt.
- Mike lost a stone and a half doing the show.
- Johannes makes an absolutely darling backstage reporter. He had a little "press" card in his hat and everything.
- Giovanni had his first kiss at the age of seven.

Wednesday, 13 November 2019

Mike dropped

Week 8: Top 8 Results - 10 September 2019


We open with our traditional Remembrance Sunday pro routine, to ‘Time after Time’. Anton and Amy play the parents of a young boy before Anton goes to war. We then see some of the male pros as soldiers and the female pros as wives and we cut to our homoerotic brothers - Kevin is going in the navy and Gorka is sad. Then we see some female pros as soldiers - Dianne, Karen and Nancy, who finally gets a plot (she's in love with Graziano). When they talked about this dance on ITT as being a street commercial and contempowaft blend, I was worried, but there's also a lot of ballroom in here, some patented Strictly romantic benchography and some 'ghost' effects that are just about passable, so overall, it felt like one of the more successful remembrance dances.

Our hosts enter - Tess in a sparkly blue dress with a black lace veil over it - because remembrance?  It would look nice otherwise – and her hair and make-up look really good. Claudia's in a black suit with a white shirt and I think this is one of the best looks I've seen on her.

They thank Callum Hudson (who played the young boy) and pros and welcome the military personnel in the audience, before our judges enter: Shirley and Bruno, then Craig and Motsi, all in varying degrees of black, although Shirley's dress has white flowers on it that look like snowflakes. [Bloody millennials - Steve]  

Moments of note from last night's recap - Emma loves her dramatic blue and black eye makeup, Michelle's super curly ringlets looked just as bad before they got piled on top of her head, Kelvin stands against a blue wall that's the exact same colour as his outfit, making him look like he has no arms (a tribute to Nicole Scherzinger on the PCD album cover, perhaps), Karim’s bad points are emphasised but no-one else’s are, Michelle and Giovanni are both Virgos and apparently 'details matter so much' because of that [definitely starting to see why no one's voting for her tbh - Steve], getting the judges' 10s to play in unison is only going to work when Craig gives his up, synchronising three tens and a nine is just a cacophony, stop it.

So over to our first safety results: Karim and Amy (who screams piercingly and cries); Alex and Neil; Saffron and AJ. The first couple in the dance-off?  Michelle and Giovanni. Everyone else looks visibly shocked. I have been voting for them recently because I suspected their public support wouldn't be great, but to go from 2nd out of 8 must be a huge blow - realising that their vote is the lowest of everyone except - probably - Mike (and very possibly Saffron) can't be nice. [I'm no maths expert but I think given the leaderboard placings and the fact that there were zero ties, Michelle can only have beaten Mike in the public vote, assuming she beat anyone at all. Given their respective positions, I don't think there's any way she can have beaten Saffron in the vote. - Steve]

Michelle says she wants this desperately (being in the dance-off?), more than anything in a long time, and is willing to fight for it. Motsi is surprised and says to bring it on, but she’s at a loss for words.
I blame the outfit for a good 95% of this. BURN IT.

In the Clauditorium we learn that Michelle and Alex are good friends, Alex’s mum has never been to Blackpool and she and Neil are dancing a Paso - or at least that's the plan, but we'll see if Neil's injury makes a 'surprise' reappearance leading to an 'Oh mate, so sorry, hard luck, let me, Kevin, King of the Blackpool Paso help you out there'. Claudia says sorry to Karim for her rock joke and asks how relieved he is – he says he was sure he’d be in the dance-off, and that it’s Amy’s DREAM to be at Blackpool. Dream bigger dreams, Amy! Saffron is congratulated on her first 10 from Shirley and I'm not sure we need 'first 10 from each specific judge' to be a thing - first 10 ever and first 10 from Craig (i.e. first 40) are fine, but that's enough.

Our guest performer is Luke Evans, our latest actor trying to be a pop star, singing ‘Bring Him Home’. It's not Musicals Week. Although I suppose it does fit Remembrance Sunday.  His voice is fine although it's all a bit hammy and he does this weird thing with his mouth where his lips just disappear. Still, at least it's not the sound of Boeballs, for which we can all be grateful. Johannes and Amy do some waltzing-cum-contempowaft-cum-rumba in barefoot, which is pretty enough, but it would have been more interesting to see a dance based on the pseudo father/son dynamic that it's actually about. 

Dance debrief takes in Motsi telling us that Karim will recover, and that his shoulders were better than his crappy footwork; Shirley calling AJ a 'meticulous teacher who pays attention to feet', Craig saying that everything Michelle does has a reason. When Vicky Giggles' costume store is burned to a crisp later this week, believe that there'll be a reason for that, too.  Bruno, meanwhile, bangs on about Kelvin's hips some more. As Claudia thanks the judges, only Craig smiles down camera at us. Also nobody says Blackpool in this whole segment well done all.

Our annual charity poppy bit takes us to Waterloo station, and there's not much to say here other than the sellers seem to be selling glittery poppies? Oh, London. Also Oti tries to conduct a brass band. Doesn’t look very effectual.

More safe couples: Kelvin and Oti (who also needs a better bra, what is it with this week's outfits?) and Emma and Anton, leaving Mike vs Chris and both Chris and Karen look scared but the other two look resigned, and, of course, here they are for the fourth - and presumably final - time. Tess keeps reminding them it’s their fourth time and he says he’s used to it and it’s always a second chance but he also has the demeanour of someone who is quite relieved that the sweet release of death is on its way.

Craig says it's too late for technique, but to blow Michelle out of pool, it should be about performance and to really go for it. Mmm-hmmm.

In the Clauditorium: BLACKPOOOOOOOOL. Next week, Kelvin has the dance he always wanted to do - the jive. So post-Blackpool, we have so much good quality content coming from him - unless they're leaving a load of ballroom for the home stretch to make his probable winner's story more of a journey? Chris says he's gigged there and his shows were poorly attended so he’s excited to have a full house. It's Karen’s first time in 8 years when she’s got to BLACKPOOL without hitting the dance-off. Chris says its her new haircut. I mean, he's probably not wrong.

There's a trailer for next week in which GET ME TO BLACKPOOL – but it’s the same as every year, let’s just skip it.

Dance-off time, and Mike and Katya go first. Whilst this isn’t the worst indignity visited on the poor paso this series, it’s still no classic and remains (for me) firmly in the mid-tier of their crappy oeuvre. And it's kind of bland that it’s this, rather than their samba/Charleston/insert your least favourite as appropriate/personally I hated their quickstep/thirty-fucking-two I will never be over it, which is likely to kill them.

Michelle and Giovanni next and she seems a little shaken and hesitant at first, and you can see him encouraging her – when she remembers to perform for camera it improves a lot, and should definitely see them through. Now let’s never speak of the crimes committed against her in this styling again, delete it from YouTube, make it the biggest cover-up since [insert conspiracy theory of your choice here, I'm not getting sued].

Craig says one couple put up a very good fight but he’s saving Michelle and Giovanni. So the implication is that.. they didn't? Motsi says it was the best performance from both couples (no) but saves Michelle and Giovanni for being clearer winners, Bruno saves them for performing to the highest standard ‘with all due respect’ and Shirley would have also saved them. 

Mike says he’s had an amazing time, has lost a stone and a half, feels mentally stronger (I mean, I'm glad, because the very obvious message that the public really hate you can't be good for the self-esteem), and his parents are going to start dancing apparently – but his dad’s doing ballroom and his mum’s doing Zumba. Is that mismatch of styles what Katyaography comes from? It's beginning to make sense now. He says getting 32 for the quickstep was a highlight. Not for me it wasn’t. Katya says he’s going out on what she thinks is his best dance, and the only thing he’s lost is weight. Mike and Katya mug for the cameras and try and distract from Claudia signing off, then they dance out to ‘Rule the World’ (how come they get the least downer music?) and they make everyone conga, even Tess, which is honestly the best thing they've done on this show and a great last dance - as long as it doesn't become a 'thing' from hereon in.

Next week: BLACKPOOL and Westlife are performing a medley of their greatest hits, enjoy that Steve. [Gee, THANKS. - Steve]

Tears Before Blackpool

Week 8: Top 8 Perform - 9 November 2019

Last week! The VISCOUNTESS was crushed under the wheels of the Bushell express as Mike and Katya somehow sailed their way through a third dance off!

This week! Everyone wants to get to Blackpool! For the sake of all our sanity and the fact that my insane work schedule already has me super far behind with recapping, let's assume that wanting to get to Blackpool is mentioned in every link and VT and I will just recap the bits that aren't that, deal? *Fingers crossed for an easy recapping life*.

Our pre-credit video opens with Michelle saying 'one bad dance and you can find yourself out of the competition'. I mean - not going on how often the judges saved David and Mike, but there we are. Cue credits! Aww, they make me sad for Will.  Hope your leg's healing OK, Will!

Saturday, 9 November 2019

This week on It Takes Two, we have learnt...

Monday

- Joanne Clifton has had a bit of a glow-up.
- Alex needs to imagine she's got a big happy birthday badge on her shoulder that she wants to show to her partner in ballroom.
- Joanne thinks Emma B's main rumba problem was being a bit out of time.  I'd say it was 'Anton' personally.
- Joanne noticed that Chris and Karen's bums were out of sync.
- Samba is now another dance that is hard for tall people.
- The Viscountess thought the samba was "such a funny dance".
- The Viscountess's ribs still hurt from the samba rolls.
- Dianne is "the messy one" in the girls' dressing room.

Monday, 4 November 2019

Out for the (Vis)count(ess)

Week 7: Top 9 Results - 4 November 2019

We begin this show this week with a tribute to Elton John, choreographed by Christopher Scott and starring Aljaž as Taron Egerton and Oti as either Renate or Richard Madden, depending on which bit of the film you think this is. Strangely, even though we've been promised hot and heavy same-sex couple dancing in tonight's show, this is not the routine in which it appears because in those outfits it's apparently quite queer enough for a primetime BBC1 audience already. People who got lucky on a sartorial front: Karen, Gorka, Nadiya and Johannes. People who didn't: pretty much everyone else but especially Kevin. They dance to 'Tiny Dancer', 'Crocodile Rock' and 'Don't Let The Sun Go Down On Me', and I guess if you have to condense the Elton songbook down to three tracks, those are three pretty great ones to go for. (Oh, and the guy who's filling in for Neil is quite handsome, he can come again.)

Sunday, 3 November 2019

Byker grooves

Week 7: Top 9 Perform - 2 November 2019

In the absence of an actual theme this week, the producers have apparently dubbed this one "halfway week", so tonight's opening VT is all about how excited everyone is to have made it this far, how they can't believe they're still here (although, looking at most of the people who got cut up to this point...really?) and how every moment beyond this just feels like a blessing that they couldn't possibly have dreamed of. There are also - and again, with varying ranges of credibility - a lot of affirmations from the remaining nine celebrities about how they feel they're getting better, becoming more confident, actually knowing that a chassé isn't part of a motor vehicle and so on. And of course, they don't want it to end. But for somebody - and on the face of tonight's dance draw, almost certainly The Viscountess - it's going to, this weekend. Crivens!

Saturday, 2 November 2019

This week on It Takes Two, we have learnt...

Monday

- Whoever scripts this show isn't quite familiar with what "tens across the board" means.
- Apparently it was Catherine's goal all along to make it to Hallowe'en, in a case of "be careful what you wish for."
- Catherine feels like she's "gone through a divorce and got custody of JoJo", so at least she's looking on the bright side.